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Digipak Analyses

A digipak is a type of packaging for CD's, typically made from cardboard with an internal plastic holder for one of more disc formats. Their purpose is to aesthetically appeal to the audience, represent the artist themselves with the design, contain the disc in where he or shes track list is in, and inform the buyer about what songs are on the disc, copyright information, production information and any other legal info that is required on a digipak.

 

Bruno Mars - Doo Wops & Hooligans - 26/10/15

Mise-en-scene:

The cartoon/animated setting connotes fun imagery which is a typical pop convention noticed fromy my music video analyses. The edited lighting portrays a high key effect obviously connoting happiness, it also makes Brunos figure cast a shadow behind him, almost representing his hard work and longevity of his effort he has put into this album is finally been put to bed, now  this lonely figure only has brightness to walk towards to and overall making him seem successful (Dyer's Star Theory). 

 

Camerawork:

 

On both the front of the digipak and the disc itself we see an establishing/high angle shot of Bruno in his animated form presumably walking. The front of the pack the shots resemble a journey this artist has been on and that is album will be a success due to the rocket flying away. This produces some sort of escapism for an audience as they get to see and expand Bruno's story when listening to tracks, we want to know how much effort he has put into it (Uses & Gratifications - Surveillance) The shots also create a contrast between the tracks on the song, as from the images we see Bruno walking along this rocket trail, then when we listen to the tracks we get ot hear just himself (Dyer - Paradox 2 - Ordinary & Extraordinary). 

 

Typography/Font:

 

The front of the digipak uses and matches a cartoon-y font style that is all in upper casing sans serif creating a contrast between fun and serious, which you could say is a typical pop genre convention, creating a fun atmosphere but also being serious with producing music. This therefore could relate to Bruno's USP, being a proper music producer but also create a funny, happy feeling with his songs e.g. The Lazy Song. His name and album name is placed to the side of the image, therefore putting emphasis on the image itself - promotional. The font on the back of the digipak particularly the tracknames are in the centre of the image, all in lower casing connoting immaturity but also being positive in a way, matching the fun atmosphere that has already been created, maybe even appealing to much younger people not using capitals (Uses & Gratifications - Personal Identity).

 

Layout:

 

The layout uses a rather simplistic structure, in which at the front we see the font at th side of the image, not over cluttering the front with lots of writing. The disc only portrays an inverted colour scheme of Bruno walking in the bottom right and helps the digipak become very aesthetically pleasing by keeping it minimalistic. Then on the back everything becomes more central and more easy on a natural eye level for consumers. The track list represents this point very well, then the legal information and the barcode near the bottom are still central near the bottom, both keeping it easy to read if people would like to but also leaving it out the way as most consumers are not bothered much to read it at all. The layout really supports Brunos simplicity and fun personality he has, therefore creating a certain iconography.

Justin Bieber - Believe - 28/10/15

Ed Sheeran vs Sam Smith- 3/11/15

Jason Derulo vs Pharrell Williams - 5/11/15

Michael Buble vs Usher 8/11/15

 A close-up is used for Usher’s digipak (Dyer’s ‘extraordinary’ paradox) which is very similar to Jason Derulo’s (even the inclusion of the tattoos) as they are both staring in one direction. This suggests that close-ups are a convention which is confirmed by the fact that they have featured in the majority of the digipak’s I have analysed previously. However for Michael Buble’s digipak a mid-shot is used. This is also a popular camera shot in digipaks as they allow the audience to see more of the artist, meaning they can connect with them (uses & gratifications theory: personal identity) as they begin to deconstruct their personality. Buble is wearing a suit in his digipak which has smart, sophisticated connotations, suggesting that he is a true gentleman and implying that his music has the same class about it. However as part of his attire, his tie is slightly undone and his hands are in his pockets. This portrays him as being more casual, suggesting that he doesn’t take himself to seriously. Usher’s non-verbal communication is very serious on the other hand which seems to be quite conventional within digipaks of the pop genre, for example like on Ed Sheeran’s digipak which includes a soulless glare. Considering the pop genre is meant to be fun, light-hearted and enjoyable, the lack of positive facial expressions and body language is quite peculiar, which can only be because the artists music is very important to them. Both digipaks feature san serif font however Usher’s uses solely uppercase lettering whereas Buble only uses lowercase. Usher’s typography is more conventional and the inclusion of his signature not only suggests creativity, but also adds authenticity. Whereas Buble’s use of lowercase letters is unconventional as it is quite informal, which conflicts his appearance. This creates confusion amongst the audience making it less appealing because his image seems more ‘constructed’ and fake (Dyer’s ‘star’ theory), however the childlike nature of it does portray him as being fun and entertaining. The layout for Usher’s digipak is a lot more conventional. The image is large and central along with the track list and the CD has been left relatively plan, besides from a faint wave pattern. Comparatively Buble’s digipak therefore is perceived as being unconventional, because although his album cover is nothing unusual, the placement of the track names in the top right corner of the back and the inclusion of them also on the CD is so. However although this may seem foolish to change successful conventions, it shows originality and makes his digipak more unique (“difference is absolutely essential to the economy of a genre” - Steve Neale).

 

 

 

 

 

 

 

 

 

Conclusion - 11/11/15

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